The six-part installation – six large-scale oil paintings accompanied by a long red bench – stages the moment a work enters the public realm. The bench marks the viewer’s position: someone who sits down, pauses, and opens themselves to the work. The paintings depict fragmented scenes, bodies in motion, and spaces charged with tension. The number 720 refers to all possible permutations of the six panels – a reminder that meaning is never fixed, but emerges through arrangement, context, and gaze. This installation explores reception: the state of being exhibited, of being seen, and the vulnerability of exposing oneself to the world.

„In The Middle Of Ultra“ leads back into the intimacy of the studio. The self-portrait of the artist, palette in hand before the easel and surrounded by stool, radio, cloths, paint pots, and brushes, reveals the actual conditions of making. Here, concentration, doubt, and rhythm prevail. The objects in the room – the radio, the fabrics, the traces on the floor – are not mere props but testimonies of a living process. This installation addresses production: the struggle, the emergence, the often invisible, private foundation of every public work.

Together, the two installations trace a movement between two poles: from inside to outside, from process to presentation, from the sheltered space of the studio to the open stage of public encounter. They reveal that art always exists within this tension — and that its true power arises precisely where creation and reception meet.